Lezzy Osbourne returns from the shadows of Edmonton with “Black Widow’s Web,” a dark, acoustic fever dream released October 31, 2025, perfectly timed to crawl under listeners’ skin. Known for her queer, emotionally raw storytelling, Lezzy wrote, recorded, mixed, and mastered the track entirely on her own, sharpening her artistic identity into something more mysterious and predatory than what fans first heard on her debut single Etched Within My Flesh.
Here, she leans fully into gothic folk, mythic danger, and the intoxicating pull of something you know will destroy you. On top of that, a visually striking music video dropped this November 7 to amplify the song’s eerie, seductive world.
The track opens with slow, deliberate guitar strums flickering like candlelight while atmospheric layers hang around the edges like cold breath on glass. Lezzy enters low and haunted, singing from the pit of her chest with a thick, deep, intimate and ominous tone. She stretches each line as though delivering a warning too late, “In the darkest corner / the black widow awaits,” letting the words slither through the silence.
As tension coils tighter, the guitar playing grows more glistening and assertive, pulsing faster whenever the story sharpens its fangs. Her voice rises too, soaring into a richer, more urgent register as the trap snaps shut. The chorus lands like a venomous chant, “Trapped in the black widow’s web / she’s saying, off with your head!” balancing theatrical menace with an acoustic touch.
Throughout, Lezzy treats the metaphor with attraction and danger, intuition and surrender, beauty and bite. “Black Widow’s Web” is a lure, a warning, and a confession all tangled together, proving Lezzy Osbourne thrives where storytelling gets shadowed, seductive, and deliciously unsettling.
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Review by: Naomi Joan