
Stuart Ironsideโs โBlow the man down, Johnnyโ arrives as the second single from his upcoming album Music from Somewhere Else, and it carries the unmistakable scent of sea air, memory, and ancestral pull. Rooted in two classic Liverpool shanties, โBlow the Man Downโ and โLeave Her, Johnny,โ the track is a homage and reinvention. Ironside, an English guitarist now living in Estonia, composed the song in the UK shortly after releasing his debut album, and it became his first piece for the new record, the spark that ignited the entire Music from Somewhere Else journey. Slotted into the albumโs first half, The Enclosure, it speaks to heritage, containment, and the emotional echo of returning to oneโs starting point.
Ironsideโs musical language blends ambient sensibility with the intimacy of modern classical guitar, drawing from figures like Brian Eno, รlafur Arnalds, and Philip Glass. That influence shows immediately in the songโs introduction. It opens with relaxing, lightly shimmering guitar strums, spacelike in their gentleness, while faint gushing water murmurs beneath as if the track is literally breathing in an old harbor. Meanwhile, the melody drifts, settles, and slowly deepens.
As the piece unfolds, the chords shift from broad, open strums into intricate plucking patterns, each note landing with careful nuance. The way Ironside moves between patterns feels like walking the line between memory and present moment, respectful of the shanty roots, yet unmistakably shaped by his own ambient guitar language. The result isnโt a pastiche; itโs a conversation across time.
By the time the final passages fade, โBlow the man down, Johnnyโ feels like standing at the edge of two worlds, with the folk history that raised Ironside, and the spacious, contemplative sound world heโs now creating. Itโs gentle, profound, and beautifully alive, and it shows that the past doesnโt disappear; it just learns new ways to sing. Check it out on Spotify.
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Review by: Naomi Joan

