
The vibrant, analog-drenched jam “Carriage House” by The All’s Eye is like stumbling into a smoky late-night club where everything grooves just a little deeper than expected. Released on June 26, 2025, the track is a sonic postcard from the legendary Carriage House Studios in Connecticut, where spontaneous magic and warm, vintage tone melt into one seamless vibe. From the very first cymbal splash, it’s clear you’re in for something textured, soulful, and alive.
Driven by Ben Atkind’s bustling drums and sizzling cymbals, the song cruises along on a deep-pocket rhythm that allows each instrumental voice to shine. Kris Yunker’s Hammond organ is the real show-stealer here, playfully dancing, turning, and swirling with a confident looseness that brings the whole track to life. His playing is exploratory without being chaotic, adding tasteful tension and spark with every run. The clavinet and piano punctuate the piece with crisp accents that echo the golden era of funk-jazz fusion.
Meanwhile, Ari Joshua’s guitar stays tastefully restrained, panned into one ear, slithering and bending subtly in the background like a sly narrative voice. The harmonized vocals—more tease than full feature.
Engineered with warmth by Mclee Mathais and mixed boldly by Jakael Tristram, the track feels open and live, like the musicians are playing right next to you. Joe Lambert’s mastering ties it together with polish without sacrificing its improvisational soul. “Carriage House” is a jam-band essential, a soulful nod to tradition that bends space and time into something new. For fans of Khruangbin, Lettuce, and Medeski Martin & Wood, this is a must-spin.
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Review by: Naomi Joan