Reviews

Mamas Gun returns in full glow with “Joy,” a track that feels like sunlight pouring through a window you didn’t realize was shut. The London-based outfit, long known for fusing vintage soul with modern finesse, taps into something timeless here, warmth, connection, and that feel-good spark that music does best.…

Danny Django’s “Oh Me Oh My” arrives with the raw sincerity you can’t fake, and honestly, it doesn’t even try to. Hailing from Colorado Springs, the indie alternative artist has been steadily carving out his space, and with his upcoming sixth album The Peach Orchard Field, he leans even deeper…

Scotty Up’s “Roller Coaster” feels like a conversation you didn’t know you needed to overhear.  Coming out of West Sacramento, the artist takes a refreshing route here, blending generational voices by involving his own children in the songwriting process. That alone gives the track a distinct edge, bridging lived experience…

Emily Daccarett steps into intimate and thawing territory with Another World, a two-track EP that reminds you of flipping through pages of a private diary. Rooted in love, loss, and the strange in-between where memories linger, the indie singer-songwriter leans into cinematic electronic pop to tell an intimate and expansive…

The Youngers return after more than two decades with Dreaming, a guitar-driven set recorded at Wilco’s Loft with producer Tom Schick. The Pennsylvania quartet tightens their classic songwriting into a more spacious indie-rock palette here, with layered 12-string textures, cinematic arrangements, and a lean toward atmosphere over strict genre boundaries.…

If TEMPLE. BEACH. DISCO. DADDY. was all sun-kissed shimmer, then LIQUID. LATEX. DISCO. DADDY. by The New Citizen Kane is what happens when the lights go down, the bass kicks in, and things get a little dangerous. This isn’t just a remix album—it’s a full-blown reinvention, pulling Kane’s sound into…

Adorn arrive swinging with Let Love Remain, their April 10, 2026 debut, and honestly, it feels like a statement carved in stone. Hailing from Dallas, the band pulls together years of experience into a record that wrestles with division, identity, and connection. These big themes, sure, but they handle them…

Hanne Leland leans into the sweet spot between uncertainty and butterflies with “Call You Mine,” a spring-ready pop gem, like the first warm evening after a long winter. The Norwegian singer-songwriter, already riding a wave of global streams and steady acclaim, taps into something instantly relatable here, that blurry, electric…

thurane steps into 2026 with purpose and praise on “Lift Him Up,” a vibrant worship anthem that feels tailor-made for live moments, with hands raised, voices united, and energy running high. Hailing from Youngtown, the rising Christian artist blends heartfelt devotion with a polished, full-band sound, drawing from modern worship…

Eddie Cohn returns with “Weight of the World,” a stripped-back yet emotionally loaded single that cuts through the noise. Ironically, by confronting it head-on. Dropping April 17, 2026, the Los Angeles-based artist teams up with a tight circle of seasoned collaborators to craft something that feels both intimate and expansive.…