Least We Got Shoes, Bradford’s boxcar-rock bruisers, return with Chapter Two, released April 3, 2026, a raucous, more expansive follow-up that tightens their raw live energy into sharper songwriting. Wayne, Ben (DB), Blake Fox, and Kurt keep the melodies muscular and the hooks unapologetically big. Right out of the gate,…
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Crescent, a Hartlepool psychedelic-rock outfit led by Caleb Hay (guitars/vocals) and Millie Jones (keys/vocals), return with a six-track EP, Lamentations (April 3, 2026). Recorded with Mark Folland, rescued by a decisive re-recorded drum performance from Christian Tunney, and given vintage-valve sheen by Jon Sevink’s mastering, the record feels like a…
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Cogley (formerly Paul Cogley) reimagines and expands his 2022 opus into a bold double-vinyl and streaming reissue called Deep Blue Sky, released March 24, 2026. Through experimental rock, alt-electronica, and heartfelt songwriting, the record grew from a two-year labour into a 16-track statement about redemption, empathy, and keeping sight of…
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ONEWAY is the project of Dayton singer-songwriter and youth pastor Dustin Burkhard, who turns fifteen years of pastoral care and trauma into music that sits between contemplative worship and modern rock. Released March 9, 2026, “Breakdown” is a bruised, honest single built to meet people in their hardest hours, a…
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bobrosia, a solo producer-songwriter from Phoenix, Arizona, unfolds a cinematic home-studio vision with Fold Into The Glow, released March 30, 2026. Written, performed, and produced in an apartment and polished at Vudu Studios, the album wears influences from Aphex Twin to Beach Boys and Radiohead like badges. It’s experimental, lush,…
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Watch Me Die Inside is the artistic universe of Aleph, a project that dissects modern collapse into raw, unblinking fragments. One of those pieces, “Melancholy Nektar,” sits inside the larger sequence that folds into Autopsy, and functions like an intimate, unsettling, and strangely gorgeous ritual. Think of it as a…
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Bahar, a rising young pop artist, returns with her second single “I Always Knew That No One Would Love Me,” released March 17, 2026, and produced in London by GETH. Coming off the playful rush of her debut “Cute,” this one digs into adolescent heartbreak, sung with unflinching honesty and…
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Flo Frequency is the brainchild of London producer-DJ Nav Bhatt, who folds three decades of crate-digging and spiritual practice into Elevation, a debut album. Made in velvet R&B, pulsing grooves, and resonant bass, Bhatt’s project aims to lift you, literally a frequency you inhabit rather than background noise. Right out…
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Efan Electro is an 11-year-old producer and DJ from Llanllechid, Wales, who made waves with his self-produced single “Feel the Beat (Old Skool)” on 24 March 2026. Working from a bedroom in Snowdonia, he channels late-’80s house pioneers, from Frankie Knuckles, Larry Heard, to Marshall Jefferson, and even tips his…
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Microbes are Jacob Connor and Allister Ainsworth, an Auckland duo who dropped the single “City of Sails” on March 14, 2026. Built as an ode to Tāmaki Makaurau, the track threads Allister’s synth and keyboard obsessions (think Visage, Gary Numan) with Jacob’s husky, later-90s-tinged vocal style, producing a sound that…