Letโs dive into Rothsteinโs latest musical offering, the 13-track album โHow Not To Drown.โ This highly-anticipated release, produced entirely by Rothstein himself and Ivan Jackson from Brasstracks, is a genre-blending masterpiece that takes us through the strange corridors of the human condition. With a slew of soul-tinged pop singles and visuals leading up to its release, including โsmall talk,โ โchokehold,โ โdonโt look down,โ โpushover,โ and the recent โcarolina,โ Rothstein has set the stage for something truly special.
The album is teeming with nautical imagery, massive pop hooks, and melodic poetry. Itโs a lush, sexy, and dark-pop odyssey thatโs both deeply personal and universally relatable. Rothstein describes this work as โpretty and evil in equal measure,โ and itโs evident that heโs poured a lifetimeโs worth of internal struggles into it.
One of the intriguing aspects of โHow Not To Drownโ is Rothsteinโs exploration of darkness and beauty. He believes that life is a mix of these two elements, and he lays them bare in his music. As he puts it, โDarkness is like that; people do bad things because doing them feels good, and many of this recordโs most gut-wrenching moments feel so good itโs easy not to notice what Iโm saying. The misery, cynicism, and general nastiness are coated in very shiny paint, and thatโs just the way I like it.โ
The albumโs standout track, โdonโt look down,โ encourages us to live life to the fullest, not overthinking every step, and embracing the unpredictable nature of existence. Itโs a fitting anthem for an album that explores the highs and lows of life with equal intensity.
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Review By: Diana Reed