Gabriel Walsh’s ambitious Rainbow Table series reaches its violet with Infranyms through The Earthly Frames. Infused with the spirit of exploration and experimentation, Infranyms gives you the past, the future, talent and innovation, the calm and the collision, and everything in between.
Opener “As Pop Omniscience,” also the album’s second single, sets the pop-rock tone perfectly. The raspy vocals soar over shimmering chords and sparkling and slow drum smacks. The haunt gives you a tinge of sadness while glistening wondrously.
This sense of exploration continues throughout the album. “Row, Lathe, Halo” swirls with layered harmonies and creates a kaleidoscope of soulful psychedelia that recalls laidback rock experimentation. In contrast, “Aim It Ne” engages us with a glitchy undercurrent, evoking futurism amidst the thumping drums. The song immerses us with the hailing trail of harmonies behind the lead vocals.
“Beta Hats Hewn” injects a dose of suspense and tension built with angsty, anguishing, and passionate vocals, sensual lyricism, and the perfect balance in the morose yet soothing instrumentals. Infranyms closes with the mysterious “Avulsion Segue Yeg.” It has its own way of hooking you with its catchy soundscape grooving with guitars and drums heaving and driving in sync. The high and robotic backing vocals make the atmosphere as eerie as it is soulful, while the lead makes it intriguing.
If you’re a fan of artists like Black Moth Super Rainbow, Horse Lords, or even the visionary sounds of David Bowie, then Infranyms, released only this June 3, is a must-listen. Stay tuned for more of the weird and wonderful from The Earthly Frames.
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Review by Naomi Joan