Metz, France, isnโt the first place people name-drop when theyโre talking โbig, bold rock singles,โ but Dan Szyller clearly didnโt get that memo. Teaming up with full producer Yannick Horner, he dropped โJourney to the Moonโ on February 3, 2026, and it lands like an adrenaline shot for anyone doom-scrolling through wars, disease, and general human messiness. Itโs more like a sweaty, wide-eyed dispatch from an โunknown manโ trying to make sense of the noise by aiming for the sky.
โJourney to the Moonโ starts in high gear, as gritty, grinding riffs clamp down immediately, with bending, writhing guitars. Underneath, the drums rumble with that forward-leaning urgency. The whole track has this โsimple but complexโ vibe. The hookiness is obvious, but the textures keep shifting, like the songโs engine is revving on different fuels.
Then Szyllerโs voice rolls in. Itโs thick, rich, dramatic, and just theatrical enough to feel cinematic. He sings like heโs narrating a late-night sci-fi thriller where the monster is the news cycle. The opening lines (โGot a feelingโฆ missionโฆ upcoming doomโ) set the scene fast, and the imagery gets nicely weird: wolves calling on the radio, shifting currents, โsilver surferโ energy, a world that feels โso standardโ to someone invisible inside it.
Lyrically, the chorus is the perfect escapist punch. He sings, โIโm so down; Iโm buying a journey to the moon.โ Itโs funny, bleak, and strangely hopeful all at once, like retail therapy, but cosmic. And just when you think the moon is the destination, the song swerves into bigger questions: โWhy not go to Mars? Why stop reaching for the stars?โ Thatโs the secret sauce hereโthe track isnโt about space travel, itโs about refusing to shrink. Itโs ambitious.
By the time he hits โThe silent scream is hurtingโ and โburning for love,โ the song feels less like a getaway and more like a demand. Like, if the worldโs on fire, at least let the dreams be loud. So rocket through the chaos on this โJourney to the Moonโ with Dan Szyller. The music video is waiting for you on YouTube.
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Review by: Naomi Joan