King Knight by Staytus: Review

by admin April 12, 2025

April 12, 2025

If Nine Inch Nails and a séance had a baby, it might sound a lot like “King Knight” by Staytus. This track is a gritty, ghost-laced fever dream dipped in static and draped in leather. It’s a hypnotic descent into the underworld of identity and self-reclamation. The third offering from her Twisted Frames series, “King Knight” takes its cues from Matthew Gray Gubler’s cult occult flick of the same name, but Staytus makes it completely her own: less comedy, more doom-glam nightmare fuel with a face-melting industrial backbone.

It opens with this deep, menacing mechanical rumble—like some buried machine waking up angry—and in comes Staytus’ voice: flat, grave, cool as a corpse in winter. But don’t get comfortable. That voice starts to snarl, split, and stretch, growing fangs between lines, then suddenly pulling back into eerie calm like a demon catching its breath. By the time the witchy bridge kicks in, you’re being summoned. There’s a sense of ritual here, of shedding skins, of burning old versions of yourself under a pale moon. It’s spellwork.

Produced by Matt McJunkins (of A Perfect Circle and Puscifer fame), the track is loaded with industrial might: synths that hiss like broken pipes, drums that feel like metal fists pounding through drywall, and atmosphere thick enough to cut with a ritual dagger.

And just when you think you’ve caught your breath, there’s more coming—Staytus drops the official music video for this dark beauty on April 24, promising a visual dive into the song’s themes of truth, transformation, and the supernatural. So let’s hail the rise of “King Knight” on Spotify and pray for the music video to drop safely.