Ashes to Brass arrives with Liquify, a cross-genre album that thrives on tension, atmosphere, and emotional slow-burning. Led by Celiaโs carefully shaped artistic vision, the band builds a world where identity stays fluid, and feeling does the heavy lifting. This is a record steeped in fracture, mortality, pressure, and endurance, with which Liquify pulls you in through mood, restraint, and the sense that something is always simmering just under the surface. It feels cinematic, like standing in a storm-lit theater while the walls quietly start closing in.
The title track, โLiquify,โ sets the tone with real fire in its lungs. Thumping drums, gritty guitars, and immersive, widescreen production give the song a dramatic backbone, while the vocalistโs thick, deep voice cuts through with passion and frustration. The lyrics are strange, theatrical, and vivid, full of starry skies, thunder, darkness, and unraveling perception, as if the song is staging an emotional collapse in slow motion. Bit by bit, it swells into something fierce and engulfing, and when that central image of moving โto liquifyโ lands, it feels like surrender, transformation, and destruction all rolled into one.
Later on, โBalloonโ shifts the album into a more hypnotic lane without losing its ache. Hummed openings, catchy guitar riffs, and a smoky, sensual vocal make it feel almost dream-drunk at first, but then the song starts peeling back its layers. The image of floating to the moon with nothing but a balloon is beautifully absurd and quietly tragic, capturing escape, regret, and doubt in one breath.
Then โShadowโ brings the house down. Paced drums and violently writhing strings give it a haunted urgency, while the vocal performance soars to the rafters with raw desperation. By the time the lighthouse, forest, and undertow imagery come together, the albumโs emotional core is laid bare.
Liquify is dark, elegant, and uncommonly absorbing. Check it out on Spotify.
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Review by: Naomi Joan
