Mermaid Avenue, hailing from Brisbane/Meanjin, has returned to grace our auditory senses with their third album, โLoveday No. 9.โ What sets โLoveday No. 9โ apart is its refusal to conform. Each track boldly radiates the unmistakable essence of Mermaid Avenue, a testament to their commitment to allowing their music to evolve organically. The album kicks off and wraps up with the exquisite โEmbers of Fires Gone,โ presented in two distinct versions.
This album serves as a poignant farewell to drummer Tony Judd, a longstanding rhythmic force within the band.ย But โLoveday No. 9โ isnโt a one-dimensional experience. It offers a multifaceted journey. Alongside original compositions, the album unveils a treasure trove of remixed tracks from their second album.
One standout track, the eponymous โLoveday No. 9,โ deserves special mention. Despite its upbeat and whimsical musical veneer, the song dives deep into a profoundly relevant and historical theme. It tells the tale of Pete Clarkeโs Italian grandfather, Alfie, who sought refuge in Australia to escape the looming shadow of fascism in his homeland before World War II. However, once the global conflict erupted, paranoia and xenophobia in Australia led to the internment of Italian expatriates like Alfie on suspicion of being โNazi sympathizers.
ย The track boasts an alternative sound that seamlessly blends elements of alt-rock and alt-country. Its infectious melody will linger in your mind, making it an instant earworm. The guitar work, combining electric and acoustic textures with a hint of country twang, adds depth and character. The rhythm section, with its solid drumming and bassline, keeps the songโs pulse steady, while the piano lends a touch of elegance.
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Review By: Diana Reed