
Mike Bloomโs new single โMountainsโ is a shimmering, gospel-tinged indie rock anthem that carries the weight of existential awe and emotional erosion in equal measure. With a grainy, raw, and almost prayerful voice that sounds like itโs echoing across canyons, Bloom delivers what feels less like a song and more like a sermon from the summit.
The guitars glimmer like sunlight cutting through fog, the cymbals sparkle, and the drums pound with purpose, creating a expansive and dream-drenched soundscape, as if the song itself is trying to scale a spiritual peak. โTake me alive,โ he opens, and suddenly youโre dropped into a windstorm of memory, loss, and a desperate search for clarity.
Thereโs a haunted beauty to โMountains,โ as Bloom reflects on friendship, solitude, addiction, and the deafening silence of symbols we donโt stop to understand. โOh mountains talk / But you never look at mountains,โ he sings, pleading with the listener to not only feel but seeโa quiet indictment of our distracted, spiritually numb lives.
The track floats with a steady pulse, and even as his voice stretches and echoes into distance midway, the music holds you in place, like being inside a dream you donโt want to wake from. Itโs immersive, aching, and profoundly introspective.
Paired with the B-side โNatural Disaster,โ Bloom continues his hallucinogenic emotional unraveling. Here, his vocals drift with the same intoxicating haze, the lyrics teetering between love and obliteration. โIs it love that youโre after / Or a natural disaster?โ he asks, a line that lands like a soft punch to the gut. Both songs hum with a cosmic sadness, yet neither wallowsโinstead, they glow with the kind of honesty that keeps you pressing repeat.
With Mountains, Mike Bloom has climbed into rarefied air. And heโs brought back something worth hearing again and again.
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Review by: Naomi Joan