Overlord by Forgotten Garden: Review

by admin January 17, 2026

January 17, 2026

Forgotten Garden returns with “Overlord,” a darkly reflective indie rock/pop single arriving on January 16, 2026, and it feels uncomfortably on point. The Scottish-Portuguese duo, Inês Rebelo on vocals and Danny Elliott handling guitars, keys, and production, have built a reputation for moody, haunting songs, and this one leans straight into the rot beneath wealth, power, and unchecked greed. It’s an old story, sure, but in today’s hyper-capitalist haze, it hits closer to home than ever.

“Overlord” paints its central figure as obscenely rich yet endlessly hungry, convinced they’re above the law while hiding behind a carefully maintained façade, as a “smokescreen gangster” smiling through the smoke. The song lets the dread and slow corrosion speak for themselves, symbolizing how greed has become normalized in the modern world.

Musically, the track unfolds with patience. It opens gently, almost deceptively calm, as Inês’ soft, tender voice drifts in, melancholic and restrained, carrying a weary sadness. Beneath her, a dark synth hums ominously while melodic guitars shimmer with post-punk elegance. The bassline, played by Argentina-based Mel D, anchors everything with a slow, powerful pulse, while two pianos from Danny add depth and emotional weight. As the chorus hits, the song lifts, as Inês’ vocals swell, shifting from sorrow to a sharper, angrier edge, like bottled frustration finally cracking open. Energetic drums push the tension forward, making the song seem urgent, without breaking its brooding spell.

Fans of The Cure or The Smiths will feel right at home here, and when you hear this release, you will realize why Forgotten Garden often gets tagged as “Lana Del Rey meets The Cure.” Listen to “Overlord” on Spotify, if you like what you hear.