Tony Frissoreโs new single, โStand for Freedom,โ doesnโt arrive quietly, and thatโs exactly the point. Released on November 21, 2025, from Cleveland, Ohio, the track is a genre-blurring collision of experimental hip-hop, electronic sound design, and spoken-word history. Frissore builds the entire piece around a striking excerpt from Ralph J. Buncheโs 1949 Nobel Peace Prize address, choosing not the polite, often-quoted lines about diplomacy, but Buncheโs direct call for Americans to confront racial injustice and live up to their own democratic ideals. More than seven decades later, the words land like they were written yesterday.
โStand for Freedomโ opens with slow, heavy piano chords, deliberately setting a somber tone right out of the gate. Amongst that, rises light, shaking percussion pulsing over deep bass, creating a sense of tension that never quite lets go. Then the spoken word enters, filtered like itโs coming through an old radio or television broadcast, distant yet uncomfortably present. As the track progresses, the beats start hitting harder and more catchily, pulling the listener in while the message sharpens its teeth.
The production steadily grows more vivid and forceful, with pumping electronic textures rising around Buncheโs voice rather than drowning it out. Frissore knows when to hold back and when to push forward, letting silence and space do just as much work as the rhythm. The result feels confrontational and reflective. It makes you nod along and then pause, realizing what youโre actually nodding to.
What makes โStand for Freedomโ hit so hard is how it refuses to treat history like a museum piece. Instead, it drags it straight into the present tense. Frissore doesnโt tell listeners what to think, but he makes it impossible to ignore the question hanging in the air: if these words still sting, what does that say about now? Itโs modern, uncomfortable, and necessary listening, no sugarcoating, no easy outs.
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Review by: Naomi Joan