Still Moves, led by Lucian Greene (vocals, guitar) and Isaac Frost (lap steel, guitar), present their self-titled album with a blend of atmospheric rock, storytelling, and genre experimentation. Produced in Frost’s basement studio, the album immerses you in the music’s story. Still Moves opens with “Testament,” a haunting prelude and a sonic overture that sets the tone for the rest of the record. The ominous background gradually gives way to cinematic instrumentals and grinding guitar riffs, underscored by soft drum patterns.
“Ballad of Cecil Emmett” delivers a compelling narrative in a hypnotic, confident tone. The track tells the story of a man assuming the role of a false prophet, using religion for personal gain. With gritty guitar melodies and a raw vocal delivery, the song taps into themes of greed, deception, and hypocrisy, punctuated by dark humor. The smugness in Greene’s voice amplifies the song’s cynicism, making it a standout moment on the album.
“Jane Tonight” shifts gears, featuring a tense yet catchy beat with strumming guitars. The lyrics explore regret and loss, while Greene grapples with remorse and memories of “Jane” in lines like “If you see Jane tonight, does she wish I never met her?”
“7” brings a reveling energy to the album, opening with brass and a catchy rhythm that exudes soul and movement. The song’s danceable beat and hypnotic backing vocals are complemented by electronic flourishes that keep things fresh and engaging.
Closing the album, “Adeline” stands as a tender, heartfelt song. The song’s refrain, “River lead me home,” gives it a spiritual, redemptive feel, making it a fitting end for the album.
Fans of both classic rock and modern storytelling will find something to appreciate in this thoughtful, dynamic record, Still Moves.
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Review by: Naomi Joan