โTaking Overโ finds Birmingham-based singer, songwriter, and producer Christof Jennings stepping out from behind the console and into full-on leading-man mode, and he does it with the kind of slow-burning soul cut that was basically built for Valentineโs night. After years crafting tracks for others and building a rรฉsumรฉ that stretches from Sony writing camps to his own The Damian Mixtape, he dusts off a long-sleeping idea, reshapes it, and finally lets it breathe as a sultry standalone moment ahead of his forthcoming EP XLV.
The production is deceptively simple, in that classic, luxurious way. Heavy bass hums underneath like a heartbeat, while glimmering synths slide and curl around the groove, never rushing, just swaying in a perfectly paced rhythm. Itโs got that modern, satin-smooth R&B sheen, but thereโs a whisper of old-school Motown romance in the bonesโspace, patience, and a groove that lets the vocal do the heavy lifting.
And that vocal is where โTaking Overโ really lives. Christof opens in full gentleman mode, confessing, โYou wake the butterflies in my belly,โ with a tenderness that feels handwritten, not manufactured. His tone is smooth and unhurried, all soft edges and warmth, before he starts to soar, letting his vibrato bend beautifully around the melody. When he pushes into his falsetto, the track melts from sweet into straight-up sensual.
The chorus turns infatuation into a mantra, as he goes, โYou are taking every piece of my mind / Every time I dare to close my eyes,โ he repeats, sounding both lovestruck and slightly overwhelmed, like this feeling is bigger than the room heโs singing in. By the time he hits the bridge, โWanna hold ya, squeeze ya, like you never got before,โ the song has shifted from shy admiration to full romantic surrender.
โTaking Overโ is making desire feel intimate, specific, and genuinely heartfelt. It sounds like a producer finally trusting his own name on the front cover.
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Review by: Naomi Joan