
“The Trumpet of Glory” by Zac Puah feels like a full-blown sunrise in song form. It’s radiant, reverent, and built to shake both festival stages and quiet church pews. A rising worship artist and producer, Zac has been carving out his own corner of modern Christian music by fusing cinematic worship with CCM, EDM-scale energy, and unapologetically faith-rooted lyrics. Here, he channels a vivid spiritual vision of a trumpet sounding across heaven and earth into an anthem of awakening, resurrection, and returning to righteousness. It’s big, bold, and yet somehow intensely personal, like a private revelation set to a widescreen soundtrack.
The song opens with soothing cinematic horns, as the orchestral layers of music fade in like a gust of wind alongside ethereal choirs. The atmosphere feels almost like the start of a movie — weightless but full of expectation. Then the singer, with her soothing, tender, soft voice, comes singing. Her delivery glows with gentle devotion. Then the male voice joins in, with his thick, rich voice, gently. The choir brings a soaring, ethereal halo, richly behind. He rises above them with exuberant and exhilarating energy and spirit.
His declaration hits in a rush of light: “My king of endless days/Your love outshines a thousand rays/From dust to light/From sin to grace/You build the world/You took my place.”
The drums come thumping steadily alongside, like a march to the heavens. You are going to get goosebumps from the choir’s delivery, as they sing against the light and wind, driving to the heavens of God. Meanwhile, the trumpets blow a sharp peak. It all feels like standing in the middle of a worship moment where time stretches, and hearts lift.
Blending the emotional punch of gospel choirs with the sweep of cinematic orchestration, “The Trumpet of Glory” aims to evoke the sound of glory. Majestic, urgent, and full of soaring faith, it’s worship with its eyes fixed firmly on eternity.
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Review by: Naomi Joan

