
SHARON. has never shied away from confrontation, but with Trapped In A Tower By An Incel and Group of Organized Crime, she goes straight for the nerve. Released January 9, 2026, this AI-generated EP marks a sharp turn from her club-forward Tech House roots into darker, mood-heavy Deep House territory, where story, paranoia, and political rage take center stage. Rooted in her lived experiences navigating the AI funding world, the project documents survival.
The title track, โTrapped In A Tower By An Incel and Group of Organized Crime,โ opens in a fog of haunting drones, immersive and claustrophobic, with soft AI vocals floating in delicately, almost too calm for whatโs coming. Rustling beats slowly assemble, tension tightening like a vice, until an echoing voice pleads, โGet me out of here, I am tired of living in fear.โ From there, a smoky, mezzo vocal rap cuts in, narrating betrayal, surveillance, and near-death moments with unsettling calm. They talk about staged suicides, failed escapes, and being perpetually followed, carried by production that never fully resolves, keeping the listener on edge.
Later, the Silicon Valley Billionaires Extended Mix flips that same narrative into something sharper and more volatile. The tempo jumps, synths buzz and clash, and the track veers into hyperpop EDM, like the panic attack version of the original, louder and more defiant.
โNeuro Emasculationโ stands out for different reasons. It rides grounding, catchy beats while unpacking the reality of patriarchy that looms over menโs lives like an albatross around their neck. It strips men of emotional connection, isolating them from love, from the softness of their wives and children, excusing violence with โboys will be boys,โ and dressing it all up as empowerment.
As a whole, Trapped In A Tower By An Incel and Group of Organized Crime is confrontational, messy, and unsettling by design. Itโs an electronic record, evidently one of SHARON.โs most uncompromising statements yet.
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Review by: Naomi Joan

