XTC by Wagner the Band: Album Review

by admin December 16, 2025

December 16, 2025

Wagner the Band comes charging back with XTC, released this November 14, 2025, via R.A.W. Records, and it sounds exactly like a group doubling down on what they believe in, which is soul, sweat, and distortion. Based in Vienna and led by frontman Rainer Wagner, the band leans hard into their “Soul Rock ’n’ Roll – 100% raw and analog – NO Bullshit” ethos, which ends up feeling alive in a way that’s getting rare. Built with vintage gear, minimal overdubs, and full-band chemistry, XTC plays like a modern record possessed by a 70s spirit, nodding to Zeppelin, Prince, and Lenny Kravitz while staying firmly in the now.

The album kicks off swinging with “Don’t Stop Movin’,” where moody guitars rev up and Wagner’s sharp, emphatic high-register vocal cuts straight through the mix. The drums punch with purpose, horns flare at the edges, and the whole thing struts with motivational swagger, part pep talk, part rock sermon. From there, “Run Away with Me” featuring Helena May softens the edges without losing momentum, adding a soulful push-pull that shows the band’s range. The title track “XTC” slows the burn, built on catchy riffs and sultry, patient vocals that unfold gradually. As the drums thump harder, the chorus lifts with an intoxicating, almost euphoric rush that lives up to the name.

Deeper cuts keep the energy shifting. “Moonshine Symphony” leans into groove and atmosphere, while “Last of Your Kind” and “Good Enough” dig into self-reflection, teethed with grit. “Reptilian Attack” stands out with its uneasy tension, starting in Wagner’s lower, contemplative register before soaring into a resilient, high-energy chorus that feels paranoid, political, and defiant all at once.

By the time “Daisy” closes things out, XTC is a nostalgia trip that makes a statement, with real people and real instruments, where real emotion still hits hardest. Wagner the Band is chasing truth, and you are the one that finds it through them.