Tim Lea Young’s A Transformation Of Nature In Art (ATONIA) is a 15-track instrumental journey that finds beauty in the meeting of classical elegance, experimental curiosity, and the imperfect charm of real instruments. Released through International Fanatic, the album brings together a Steinway concert grand, a vintage Hammond organ, a century-old Broadwood upright piano, a 22-piece string orchestra, and an acoustic guitar inherited from Young’s late father. The organic, deeply personal collection lets the music breathe without losing its playful spirit.
“Greenacres” opens the album on a gentle, contemplative note, with slow, somber piano melodies drawing the listener into an immersive, almost meditative atmosphere. It’s an understated beginning that sets the tone for the album’s more introspective passages.
Later, “The Serpentine” offers a striking change of scenery. It begins with crisp, shimmering sounds before a weightier, slow-moving piano takes over, giving the composition a wonderfully cinematic pull. Birdsong frames both the opening and closing, bringing a touch of the natural world into the music and making the piece feel like a walk through a peaceful landscape.
“Ketita,” meanwhile, moves with a harmonious, melodic rhythm and a steady, unhurried beat, showing how Young can create momentum without sacrificing the album’s relaxed character.
What makes ATONIA especially appealing is its human touch. Recorded over several years, these compositions have been reshaped and refined, yet they retain a sense of spontaneity. By embracing acoustic textures, vintage instruments, and personal history, Young creates a thoughtful, enchanting album that rewards listeners willing to slow down and simply listen.
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Review by: Naomi Joan