JW Paris swings back into the spotlight with โAnything,โ hitting like a pint thrown across a packed Camden bar. Premiering in October 2025, the track doubles down on everything the London trio does best with the grit, smugness and that unmistakable dirty Britpop snarl that feels ripped straight from a night bus hurtling through Soho at 2 a.m.
The band, Daniel Collins, Gemma Clarke, and Aaron Forde, has never been shy about their lineage, and here they lean into it with relish. You can practically hear the ghosts of Elasticaโs sharp edges and Blurโs pavement-slick charm rubbing shoulders with the smugness of Oasis. But JW Paris pushes the sound forward with a modern bite, like theyโre lighting a match under the old scene just to watch it flicker back to life.
โAnythingโ opens with gritty, melodic guitar riffs that spiral like neon reflections in rain puddles. Then the drums burst in bustling, while bright cymbals sparkles frantically and suddenly the whole track is moving with that restless, late-summer adrenaline.
Collins comes singing with reckless abandon, with despondency and stubbornness. Exasperated and anguished with his undertone, he spits out the trackโs existential core, โI could be anything, but everything is nothing.โ The mantra loops, spinning โaround and around,โ mimicking the dizzy rush of youth and the claustrophobia of being โanother face in the crowd.โ That tension gives โAnythingโ its sting. Itโs nostalgic in the way only modern chaos can be, while aware of the past but unwilling to settle for it.
ย โAnythingโ by JW Paris sparks up 2025 with the 90s razing cut. Check it out on Spotify
STAY IN TOUCH:
FACEBOOK | INSTAGRAM | TWITTER | SPOTIFY | YOUTUBE
Review by: Naomi Joan