Reviews

After a thirteen-year silence, Atlanta indie-rock band Last Relapse returns with Last Relapse – EP, a project built from unfinished songs that refused to die quietly. With their emotionally charged performances and dreamy guitar work through the late 2000s and early 2010s, the band stepped away while momentum was still…

Ripsime steps into a new era with the re-release of “I’ll Understand,” “Dare,” and “Colours of Your Eyes,” three early works now revived under her new imprint, RIP Records. After a year shaped by the spellbinding releases from Capsule II and a cross-continental creative stretch between Yerevan and London, she’s…

Energy Whores crank the voltage and the unease on “Electric Friends,” their latest electro-art provocation arriving ahead of Arsenal of Democracy. Formed in a DIY basement in New York by Carrie Schoenfeld and guitarist Attilio Valenti, the duo have carved out a lane all their own, with a caustic blend…

The Dawn Razor hits with another fierce strike of Paris-forged death metal, this time with the blistering single “Chiaroscuro Italiano,” from their last album, In Sublime Presence. It rolls out like a storm front and hits with the force fans of Dimmu Borgir, Children of Bodom, and Gojira will recognize…

Tej’s rise has been quick, loud, and unmistakably his own, and his new single “ALL I CAN DO (time)” feels like the moment everything snaps into focus. Dropped this November 19 through San Holo’s bitbird label, the track arrives as the third preview of the upcoming HEY ME, IT’S ME…

Sasha Joy’s new single “To Stay” arrives as a slow-burn that swoons you through sheer emotional gravity. Out since this November 14, the song takes Joy’s evolution as a promising newcomer to fulfilling it as a vocalist with genuine interpretive authority. Born in Shoreditch and later shaped at Studio Cryogene…

Tomonori’s new single “Lantern” arrives as a vivid, genre-surfing spark from his upcoming sophomore album Hypernonchalant, veering straight into the philosophical tide that has become his signature. The Japanese-Irish artist treats music as a vehicle for existential exploration, merging Afropop brightness, indie pop buoyancy, and electronic shimmer into something that…

“Hear My Heart,” the new country duet from Karen Pyra and Darrel Cameron, is a gentle, steady and warm porch light in the early winter, glowing with the sincerity that modern country sometimes forgets. Released November 13 and produced in Nashville by Grady James at Studio 45b, the track brings…

Stacy Robin’s new single “Drive” breathes deeply after a long stretch of holding tension. After decades of writing, performing, and carving her path through Los Angeles and far beyond, Robin comes seasoned and weightless, guided by the same storytelling instinct that’s shaped her ten-album career. Her travels through South Africa,…

“Don’t Touch The Sinner,” the closing chapter of Mardi Gras’ concept album Sandcastle, lands like the final scene in a tragic film where every unresolved tension finally sweeps to the surface. The Rome-based band, celebrated by Onda Rock readers for Album of the Year, ends their story set in 1980s…