
โDead Mohawkโ by hour of pearl sounds like a love letter to the kid you used to be โ the one with scuffed skate shoes, ripped jeans, and a head full of riffs โ written from the middle of a life full of bills, expectations, and โgrown-upโ compromises. On the surface, itโs a punchy punk track. Underneath, itโs about refusing to let that core self get paved over just because the world keeps nagging you to straighten up. Growing up as a skate punk, looking ahead and wondering what the future holds, the song wrestles with that push to conform and the stubborn need to still carve your own line through it all.
Musically, it comes out swinging. The song opens with thumping drums and grinding, gritty guitars, dropping you straight into a sweaty, small-venue energy. The singer sings tensely, his voice soaring and trailing with an emo edge, like heโs permanently caught between frustration and defiance.
The chorus gets more spitting and rushed, hammering home the outside voices barking, โGet up and get a job / Stop living like a slob / Thatโs what they say to me.โ Itโs the soundtrack of every punk kid whoโs ever been told to tone it down.
Thereโs a bittersweet gut punch in lines like โWhen punk rockโs lost its edge / And the mohawk is looking dead / You look in the mirror / And donโt like what you see,โ but the song doesnโt stay defeated. A melodic guitar solo slides in, adding just enough lift to suggest thereโs still fight left.
โDead Mohawkโ morphs from a rant into a rallying cry. Itโs a reminder that you can grow up, sure โ but you donโt have to grow out of yourself.
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Review by: Naomi Joan
