Scottish producer Tom Thump returns with his ambient release ‘Life’, following up on the Top 10 chart success of his debut ‘Marseille’ . Tom Thump’s distinct electro style draws from influences in disco, house, world music and an array of other genres. He is a multi-instrumentalist, composer and producer. In recent years he has lived in Melbourne and London. Check out the exclusive Interview below:
1. Your roots can often shape your journey. Can you share a story or moment from your early life that had a significant impact on your path into music?
TOM THUMP: I’ve loved music for as long as I can remember. My dad would always bring out the guitar, especially at big gatherings, which as a child would sometimes be traumatising haha. I now look back on those occasions very fondly. Music was always being played in the house. R.E.M. Automatic will forever be ingrained in my head from listening at a young age in the car with my mum and sister.
2. Did your musical journey begin with formal training, or was it more of a personal exploration? How has that shaped your unique approach to your craft?
TOM THUMP: I think I first started with Clarinet lessons but then quickly moved to piano. I remember not enjoying the piano lessons that much, due to the formality of it all. I was also started on classical music which I struggled with. I’d basically given it all up before one day at about 10 just sitting down at the piano and working things out by ear. That changed the game and opened things up for me dramatically. Once I knew how to play by ear the rest was history. I’ve continued this relatively informal approach into my music in later life. I’m very grateful for the traditional start to my musical education so that I have enough music theory to see me through.
3. Who were some of the most influential figures in your early musical life, and how did they inspire your sound? Also, what’s the story behind choosing the name ‘TOM THUMP’?
TOM THUMP: R.E.M were a huge influence. I have vivid memories of Bruce Springsteen being played a lot. I think it’s however the specific stuff that my mum put on like ‘Higher Love’ by Steve Winwood or ‘Walking on broken glass’ by Annie Lennox that really formed by musical taste. I’ve always had a soft spot for synth pop and catchy melodies. The name Tom Thump doesn’t really have big story behind it to be honest haha. I was hiding behind an alias when I first started in order to try and grow without feeling too much pressure. I wanted a name that stood out and didn’t take itself too seriously.
4. What do you believe sets your music apart? How would you describe your sound to someone discovering you for the first time, and what emotions or experiences do you hope to evoke in your listeners?
TOM THUMP: I’m looking to push the boundaries of electronic music and follow in the footsteps of the likes of Bonobo and more recently Fred Again and Barry Can’t swim. I’d describe my style as melodic electronic with a slight pop edge. I want to make music that makes you feel things. I know how cliche that sounds. Whether that’s joy, melancholy, introspection, euphoria. As humans we oscillate so much and I want to reflect that in my music.
5. For most artists, originality is first preceded by a phase of learning and, often, emulating others. What was this like for you? How would you describe your own development as an artist and music maker, and the transition towards your own style, which is known as Electronic?
TOM THUMP: My first single ‘Marseille’ is very much a blatant homage to Daft Punk and Justice. I’m proud of it but it’s also heavily influenced by a specific period and genre- late 00s Electro. I think the music of our adolescence has a profound effect on us musically. Also when first learning to produce I think it’s easier to emulate specific artists. Then as you grow you can find your sound. I love many different genres of music. Electronic music is rewarding to make because you can flirt with other music styles.
6. Music often transcends entertainment. What’s your view on the role and function of music as political, cultural, spiritual, and/or social vehicles – and do you try and affront any of these themes in your work, or are you purely interested in music as an expression of technical artistry, personal narrative, and entertainment?
TOM THUMP: I love when music transcends beyond just being an entertainment medium and causes cultural shockwaves. I think artists like Chappell Roan are a positive example of this right now. I also love when artists use the art form to push back politically. Whilst not neglecting the political and cultural climate the music that I’ve written so far is mostly personal narrative. I think this will change in the future.
7. Do you feel the rewards of your musical career match the energy and passion you invest in it, or are there different kinds of fulfillment you’re still seeking?
TOM THUMP: Finishing a song that I’m proud is definitely what gives me the biggest sense of fulfilment. Somebody telling me that they enjoyed my music, or that it meant something to them is more than enough reward for me.
8. Can you walk us through your creative process? From the first spark of an idea to the finished track, what’s the most essential part of your process, and how do collaboration or external influences shape your work?
TOM THUMP: I’ll generally start with one main hook or idea. From there I’ll start to build.
A lot of ideas will come to me at once so I’ll have to compartmentalise ideas and note them down later. Paper and pen rather than phone notes. I think my brain works better that way. I’m constantly getting inspired from different external sources – many eureka moments happen whilst I’m out on a run listening to music. I have to sprint home so I don’t forget them haha.
9. With social media having a heavy impact on our lives and the music business in general, how do you handle criticism, haters, and/or naysayers in general? Is it something you pay attention to, or simply ignore?
TOM THUMP: I’m pretty laidback to all that. I believe criticism is necessary in order to grow. If all you receive is praise I don’t think you learn how to navigate things very well.
10. Do you think is it important for fans of your music to understand the real story and message driving each of your songs, or do you think everyone should be free to interpret your songs in their own personal way?
TOM THUMP: I’d like people to take whatever they want from my music and to interpret it as they wish. As long as they enjoy themselves in the process. That’s what life is about.
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