Ecce Shnak is back and ready to shake things up with their latest single, โJeremy, Utilitarian Sadboy,โ a wild ride that dives deep into the eccentric life of Jeremy Bentham, the 19th-century philosopher whose mummified head is still on display at the University of London. This track is a glorious mashup of art-rock and punk, serving as the first taste of their upcoming EP Shadows Grow Fangs, set to drop in February 2025 via Records Man, Records.
From the get-go, โJeremy, Utilitarian Sadboyโ grabs you with a cascade of piano keys raining down before the drums crash in like a thunderclap. The electric guitar snarls and revs up, creating an electrifying atmosphere that perfectly complements the urgent vocals of David Roush. His voice is thick with emotion, backed by Isabella Komodromosโ haunting harmonies that add a cinematic flair to the mix. Itโs as if youโre watching a theatrical performance unfold right in front of youโa chaotic yet beautifully orchestrated spectacle.
In just 150 seconds, Ecce Shnak manages to blend math-metal riffs with post-rock soundscapes and choral elements, crafting a song that feels both epic and intimate. The track transitions seamlessly from ferocious punk energy to ethereal moments that would make even Queen proud, showcasing their ability to defy genre boundaries. The lyrics are sharp and witty, painting Bentham as both a tragic figure and a comedic genius: โLonely but loved byโฆ diligent students,โ they sing, capturing his legacy in a way thatโs both entertaining and thought-provoking.
The songโs bridge feels like stepping into a chapel after an unexpected brawlโchaotic yet sereneโas choral voices rise in unison, leaving you breathless.
Their performances are as vibrant as their music, promising an unforgettable experience for anyone lucky enough to catch them live. Stay tuned for the upcoming EP of Ecce Shnak.
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Photo credits: Tommy Krause
Review by: Naomi Joan