If TEMPLE. BEACH. DISCO. DADDY. was all sun-kissed shimmer, then LIQUID. LATEX. DISCO. DADDY. by The New Citizen Kane is what happens when the lights go down, the bass kicks in, and things get a little dangerous. This isn’t just a remix album—it’s a full-blown reinvention, pulling Kane’s sound into a darker, sweat-slicked underground where deep house grooves and 90s club energy collide. Longtime collaborator Red Man Runs helps steer the ship, and you can feel that history in how effortlessly everything clicks—tight, intuitive, and just a little bit wild.
Right from the jump, “What’s His Name” pulls you into the haze with shimmering synths draped over a thick, rubbery bassline. The vocal delivery is fast, confident, and just smug enough to keep things intriguing—it’s got that late-night, who-is-that-guy-across-the-room energy. Then “(Trip) Unravelling” takes things deeper, leaning into the emotional push-and-pull of nightlife, where losing yourself and finding yourself happen in the same breath.
As the album rolls on, the groove tightens its grip. “Causing A Commotion (Liquid Latex Version)” is pure body language, with smooth beats, sensual vocals, and a hook that practically nudges your hips into motion. Lines like “you got me walking on a tightrope” land with that perfect mix of tension and flirtation. Meanwhile, “Invention (Liquid Latex Version)” flips the mood, dialing things down into something softer and more introspective, with floaty textures and a low, gritty vocal that feels almost confessional.
And just when you think you’ve got the vibe pinned down, Kane throws a curveball with “There Goes The Neighbourhood,” twisting the familiar into something darker and more psychedelic. It’s bold, a little chaotic, but it works.
By the time you hit “Forget The Trend” and the later cuts, the album feels like a fully immersive night out. It’s messy, magnetic, and impossible to leave early. All in all, LIQUID. LATEX. DISCO. DADDY. dares you to stay.
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Review by: Naomi Joan