Charlotte Grayson and the Shame Areas have officially turned heartbreak into a hoedown with Low Standards, and honestly? Weโre all better for it. โLow Standards,โ is a cheeky, glittering little gem that struts through tales of terrible taste in men. The guitars sparkle with that laid-back, toe-tapping rhythm, while the drums hold it all down with a steady thumpโnothing over the top, just enough to let Charlotteโs voice and sharp-as-a-tack lyrics steal the spotlight.
And that voice is swoony and sweet like cherry cola, with enough emotional bite to cut through the sugar. Thereโs this molten warmth in the way she glides through lines, making even the most tragic Tinder tales sound like poetry. Sheโs got this effortless vibrancy that makes the stories feel personal but never pitiful, sheโs in on the joke, and youโre laughing (and crying) right along with her. The lyrics are packed with self-aware sass, relatable rants, and just the right amount of romantic disillusionment to remind you why your standards started slipping in the first place.
Millie Jones hopping in for backing vocals is iconic. Total serendipity, and it works like a dream. The harmonies are lush, giving the chorus that extra emotional heft, like a supportive bestie chiming in on your inner monologue. The production doesnโt overdo itโthereโs a lightness in the verses that lets the humor breathe, then the band hits the gas in the chorus and middle eight, letting the emotional chaos roar just a little. Itโs catharsis in a cute dress.
โLow Standardsโ is the kind of song you want blasting in your headphones while walking away from someone who ghosted youโsmirking, strutting, and very much thriving. Charlotteโs mess has never sounded so good.
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Photo credits: Howy White Photography
Review by: Naomi Joan