Amidst a world filled with hatred and aggression voiced by politicians of the UK and US, labeling transgender and non-binary human beings as “demons,” emerges “Silhouettes,” a one-woman black metal project that fiercely confronts oppressive forces in hopes of acceptance.
Taking inspiration from the emotional intensity of bands like Lifelover, blended with the bleak atmospheric of Wolves in the Throne Room, with soundscapes that emit raw, chaotic energy reminiscent of Darkthrone and Gorgoroth, “Silhouettes” is the ferocious voice for those who want to exist unconfined from the chains of societal norms.
“And Then We Get To The End” is an introspective opening track of this empowering EP, which voices the struggles of trans individuals surrounded by transphobic culture, and the resilience needed by the individual to overcome it.
On the other hand, “The Flowers That Grow” is about discovering oneself and embracing your true identity amidst an oppressive society. Combined with haunting guitar riffs and Daughter’s eccentric vocals, this track reflects the trans experience, which parallels the beauty of a flower that emerges from cracks.
“Killed” carries the same essence of Daughter’s other-worldly vocals in which you can hear the raw intensity of her emotions exploring the grim theme of the murder of Brianna Ghey while “Choke On Your Hate” is like a big middle finger to intolerant haters. “The Girl That Slept” has soundscapes laced with melancholy and dives into the inner struggles of an individual through emotive lyrical storytelling.
“Arise, Daughters of Marsha” hits the listener with a powerful punch, where “Daughters of Marsha” refers to being the children of legendary Marsha P. Johnson, an important figure who fought hard for the LGTBQ community. This track pays homage to her while celebrating her legacy. “Abomination” brings “Silhouettes” to a close with a track fiercely confronting those who demonize individuals who don’t fit into the molds of their ideals.
Overall, “Silhouettes” arise from the trans experience and empower listeners. It is a “fighting” voice for those who want self-acceptance and to break out of societal norms.
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Review by Aria Cohen