Tokyo-based duo Suzumeno Tears, Miyuki Sato and Agatha, brings a resurgence of Japanese, Siberian and Balkan tradition with their debut album, Sparrow’s Arrows Fly So High.
The album kicks off with “Kawaigaranse,” a Japanese traditional Goze-Uta that embodies themes of longing and yearning. The duo’s harmonious vocals blend seamlessly over a cool beat, creating a captivating atmosphere that sets the tone for the rest of the album.
“Zaraita Bushi,” the single, introduces an air of mystery and intrigue with its haunting melodies and Sato and Agatha’s foreboding vocals, opening the narrative of an unfaithful wife.
“Akita Daikokumai,” featuring Remon Nakanishi, highlights the duo’s celebratory and ceremonial spirit with vivid woodwind melodies and powerful vocals. The song exudes a palpable vibrancy as Sato and Agatha deliver strong, climactic performances, accompanied by ritualistic refraining shouts or incantation.
Closing Sparrow’s Arrows Fly So High is “Mandra Mea,” an Aromanian-Serbian traditional piece that radiates joy and exuberance. With its catchy rhythms and upbeat instrumentation, the song invites listeners to revel in the infectious energy of Suzumeno Tears’ music.
Throughout Sparrow’s Arrows Fly So High, Sato’s expertise as a vocalist and kaval player, combined with Agatha’s proficiency in guitar and reed organ, create a harmonious fusion of sound that transcends cultural boundaries. Furthermore, this album wouldn’t be complete without the talented musicians, Yoshio Kuge, Masatsugu Hattori, and Tomoko Kageyama among others, as they complete the the musical folklore with their instrumentals.
Listen to Suzumeno Tears preserve and celebrate folk traditions in their latest album, Sparrow’s Arrows Fly So High.
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Review By: Naomi Joan