Bei Bei’s new single “Two Moons,” released ahead of her upcoming album of the same name, comes as a doorway between eras, with ancient strings brushing up against tomorrow’s circuitry. The internationally celebrated guzheng virtuoso, now also blossoming as a guqin performer and composer, crafted the piece in collaboration with London-based producer Paul Elliott. The track was conceived during the 2024 Mid-Autumn Harvest Moon Festival, and you can practically feel the moonlight in its DNA. Bei Bei sat at her guzheng, absorbing the emotional weight of family, heritage, and distance, letting improvised melodies spill from her hands. Hours later, she caught the reflection of a glowing full moon doubled in her window. That uncanny beauty became the album’s visual symbol—and the tone of the music itself.
The single unfolds gently, almost like watching light ripple across a lake. “Two Moons” opens with soft, trickling guzheng plucks, with each note shimmering as if suspended midair. An ambient electronic bed swells underneath, warm and translucent, wrapping the traditional strings in a futuristic glow. Before long, the beats arrive, hitting with a firm, catchy pulse that lifts the piece into motion without disturbing its fragility. Hypnotically, the tactile pluck of ancient wood and strings dance over a cyber-soft soundscape.
As layers build, the track feels increasingly cinematic, as though guiding the listener through past and present simultaneously. Bei Bei’s melodies glide with tenderness and emotional clarity, tracing the contours of longing, home, and identity. The electronics gently contour those lines, as they create an intimate and cosmic field.
By the time the final notes dissolve, “Two Moons” has made tradition feel weightless and the future feel human. It’s a mesmerizing preview of an album that promises to travel far while staying rooted in the heart.
Listen to it on Spotify.
STAY IN TOUCH:
FACEBOOK | INSTAGRAM | TWITTER | SPOTIFY | WEBSITE | YOUTUBE
Review by: Naomi Joan