
More than five decades after Marvin Gaye first released “What’s Going On,” Cheryl Craigie revisits the iconic anthem with a rendition that respects its legacy while allowing her own artistry to shine through. The independent singer-songwriter has built a reputation for embracing a wide range of genres, from folk and country to rock, pop, and Christian music, always placing heartfelt storytelling at the forefront. Now, with her ninth release, Craigie turns her attention to one of popular music’s most enduring calls for compassion, offering a version that feels both timeless and quietly personal.
Rather than attempting to reinvent the classic, Craigie wisely lets the song’s message remain the focal point. Her arrangement pairs hard-hitting yet steady beats with warm, relaxing melodies that create a reflective atmosphere without sacrificing momentum. Rich strings gently weave through the production, adding emotional depth as the arrangement gradually expands. Later in the performance, layered backing vocals rise behind her, subtly echoing the song’s plea for unity and creating a communal feeling that beautifully complements its themes.
Craigie’s thick, expressive voice becomes the heart of the performance. She approaches every lyric with sincerity rather than imitation, delivering familiar lines with warmth and conviction. When she sings, “Mother, mother, there’s too many of you crying,” the words feel less like a quotation from history and more like a reflection on the present. Likewise, the timeless refrain, “You know we’ve got to find a way to bring some lovin’ here today,” retains its emotional weight, reminding listeners that its message of empathy and understanding remains painfully relevant. Her vocal restraint works in the song’s favor, emphasizing genuine feeling over dramatic embellishment.
As the arrangement builds, the soaring harmonies lend additional richness to the chorus, reinforcing the collective spirit that has always defined “What’s Going On.” Craigie’s decision to perform all the vocals and instrumentation herself gives the recording an added sense of authenticity, showcasing not only her vocal ability but also her musicianship. Produced by longtime collaborator Eric Goldberg and polished through Lenny Delorey’s crisp mix, the track balances reverence with individuality.
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Review by: Naomi Joan
