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Aussie artist Damien has just unveiled his latest album, ‘Candidate For The Abyss.’ Having previously captivated audiences with two critically acclaimed albums, DAMIEN returns for a third strike, ready to connect with listeners on a whole new level.
Produced entirely in his home studio in Ipswich, QLD, DAMIEN showcases his impressive production prowess and musical expertise throughout the album. His sonic outbursts of expression, combined with scorching guitars and aggressive synths, create a darkwave masterpiece that hits you right in the gut.
In ‘Candidate For The Abyss,’ DAMIEN fearlessly delves into the themes of isolation, loneliness, rejection, and heartbreak. These profound emotions are drawn from his struggles with forming and sustaining relationships, all while navigating the challenges of living with bipolar disorder. The album serves as both a cathartic release for DAMIEN and a source of solace for those who may relate to his struggles.
From the very first notes of “Joy In My Own Time,” you know you’re in for something special. The track exudes a magnetic vintage-meets-modern vibe, immersing you in DAMIEN’s brooding musical universe. As the album progresses, “Nowhere” entices with a tantalizing fusion of bass and subtle industrial elements, delivering pulsating electro goodness.
“Abuser” delves fearlessly into the realm of electro-love, seamlessly fusing ethereal melodies with darker undertones through mesmerizing pulsating beats, while “Dogs” exudes an entrancing goth electro vibe. Another standout track, “Empty,” emerges as a hidden gem, unabashedly channeling raw emotions with an infectious alt-rock edge.
‘Candidate For The Abyss’ stands as a testament to DAMIEN’s rapid rise in the electronic-industrial realm. In just four years, he has released three remarkable albums, solidifying his position as a formidable force in the music scene.
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Review by: Grace Donovan