Reviews

“She Is The Flowers” by The Jacob Ifans Band drifts in like a slow tide, all warm air and wistful light, that makes your chest ache a little. It’s their second single, following the acclaimed “Sun Don’t Shine,” and it’s another feather in their cap, like a delicate, aching, timeless,…

“We’ve got the moment” by NBP Human is a shot of grunge-flavored indie rock that manages to feel both urgent and reflective. It kicks off with a catchy, hooky guitar riff that’s soon joined by bustling beats that push the track forward without rushing it. Balázs Janky’s high and husky…

“Biophilicall (Live at the Aviary)” by DUEL NATIVE is gonna get you feeling like it’s breathing right alongside you. From the first slow, echoing claps, the hush-in-the-room vibes really remind you of the moment when everyone knows they’re about to catch lightning in a bottle. Then that ghostly trailing guitar…

“Take A Chance” by Ball in the House steps into a time capsule that somehow landed in the present, full of retro charm and sleek, modern polish. From the very first “Ooo” floating in the ether, the track wraps you in a warm, choral hug, with deep bass rumbling underneath…

“Haters Pressed” by Nuk kicks the door open with a vibe that’s equal parts icy confidence and streetwise grit. Right from the jump, the beat slaps hard—deep, thumping kicks layered under cold, sizzling textures that float like smoke in a dim-lit alley. There’s this eerie, suspenseful undercurrent in the production,…

“Serene Despair” by Antoin Gibson, under the Circum-Sŏnus banner, is one of those rare concept EPs that actually earns the “concept” label. Instead of casually name-dropping mythological femme fatales for aesthetic flair, Gibson fully inhabits them—Succubus, Morrigan, Siren, Medusa, and Banshee—recasting their ancient power into modern soundscapes that slip between…

“Das Geisterschiff” by Nordstahl is a storm-worn vessel drifting straight into your gut. From the first gentle, flowing piano notes, there’s a deceptive calm, like the glassy surface before the squall. Then the drums roll in, slow but heavy, pounding like distant thunder, while distorted guitars blaze and buzz, dragging…

“Young Love” by December Fades hits like a moody and cinematic late-night drive with the windows down, dripping with that intoxicating rush of new romance. Kevin Rogers, the mastermind behind the project, takes his pop influences from The Weeknd, Billie Eilish, and Halsey, and steeps them in an ‘80s-tinged haze.…

“A Wing and a Prayer” by Ferdinand Rennie wears its heart not just on its sleeve, but all over the room. It opens with a lush sweep of cinematic strings that feel like they could soundtrack the closing credits of a life-changing film, joined by shimmering acoustic guitar strums that…

“A Glasgow Kiss” by Ian Rae is a charming curveball—soft, tender, and the polar opposite of the cheeky, headbutt-inspired title. Rae takes the phrase, known in Glasgow slang for something far less romantic, and flips it on its head, offering a gentle, cinematic piece that feels more like a warm…