There’s something undeniably refreshing about DJ Cards because of the mindset behind it. Balancing life as a practicing lawyer with a growing presence in electronic music, he approaches EDM with a clear, almost disarmingly simple goal: make people feel good. “Lose It in the Lights,” released April 17, 2026, leans…
Latest in Reviews
-
-
There’s no sugarcoating what Antoin Gibson is doing with “Diss Tribute,” built to cut through. Marking a year since her breakout moment, Gibson flips the usual release playbook on its head, leaning into sync placements and long-game strategy rather than chasing algorithmic approval. Released via Circum-Sŏnus, the single questions who…
-
There’s a slow-burning confidence to One of Vas’s debut full-length MIGMA—a record that doesn’t rush to impress but gradually pulls you into its orbit. After years of shaping his sound, Vasilis Tsavdaridis steps into album territory with a project that balances contrast: heavy bass against weightless vocals, ambient drift against…
-
There’s a raw, unfiltered honesty at the core of Satsuma’s debut EP Anodyne. Spearheaded entirely by Cam Halkerston, the project is as DIY as it gets: every instrument played live, every vocal left imperfect on purpose, and every emotion laid out without a safety net. Drawing from ‘90s alt-rock textures,…
-
There’s a cool, unbothered confidence running through moonvine’s debut single “cherry spice.” Formed by Berlin-based siblings Selina and Dennis, the project brings together two different musical instincts: his background in electronic production and her more traditional vocal roots. Instead of clashing, though, they meet somewhere in the middle, letting intuition…
-
There’s nothing subtle about Fiori del Male—and frankly, that’s their strength. Emerging from Rome with decades of politically driven work behind them, the group has long treated music as a form of confrontation rather than escape. “Allarme rosso nel golfo persico,” originally written during the 1991 Gulf Crisis, resurfaces in…
-
There’s no neat little label that fits Storm Boy, and honestly, that’s the point. Hailing from Olympia’s DIY circuit, the four-piece, Chas Roberts, Jeremy Anderson, Charli Beaumont, and Kuba Bednarek, lean into chaos, collaboration, and that sweat-drenched live energy that turns shows into shared release. Their 2026 full-length Beast Machine…
-
There’s a lived-in, almost literary charm to Greg Roensch’s Down at the Polystereophonic Dive Bar, an album that feels less like a playlist and more like a place you wander into and stay awhile. A songwriter with roots in poetry and flash fiction, Roensch builds songs the way a storyteller…
-
There’s a certain stubborn authenticity driving MOMARZ’s The Theory—a project that leans into self-made production and rejects shortcuts in favor of hands-on craft. Built entirely through GarageBand and shaped by tools like the Yamaha P-125 and KORG microKEY, the upcoming 16-track release (due May 28) thrives on piano-rooted structures wrapped…
-
There’s something intriguingly unconventional about the way Lucian Lacewing approaches music, more like a sonic architect piecing together fragments of feeling. Hailing from Bristol, he makes his debut with “Land Of Enchantment,” a track that doesn’t follow a traditional path so much as it drifts, swirls, and slowly reveals itself.…