
Londonโs French Dogs come charging out of the gate with their self-titled debut, French Dogs, landing December 5th on Ciao Ketchup Recordings, and it feels like a late-night diary torn open and shouted back at the world. It comes with four tracks capturing sleepless hours, messy choices, and that restless buzz that sits somewhere between heartbreak and hope. With a full-length album already lined up for spring 2026, this EP works as a taste test.
It all kicks off with โTreasure,โ driven by strong guitar riffs and thumping beats that hit with purpose. The singerโs deep voice comes in heavy and gnarling, full of vehemence, grounding the track in frustration and longing. He sings, โItโs 3 am Iโm staring at the walls / Itโs colder now the lights have been turned off,โ as the line hangs in the air, while the guitars echo the emptiness between thoughts. Itโs raw, wavering, and uncomfortably relatable, the sound of absence stretching into the early hours.
Then โModern Day Despairโ shifts the mood without losing the tension. Softer, glistening strums and gentle beats create space for a more relaxed vocal delivery, still deep but calmer, almost reflective. As the track builds, the guitars strengthen, and by the time he sings, โThe truth of it all / She could be anyone / She could be anywhere,โ it feels like standing on the edge of night as dawn starts to creep in.
โToxic Alibiโ snaps things back into motion with grinding, fuzzy guitars and pounding drums. The vocals turn catchier and lighter, transforming bad decisions into something you can shout along to. Itโs bruised, honest, and built for sweaty rooms and shared chaos.
The EP closes with โUnlucky in Love,โ all driving fuzz and hard-hitting drums, as the singer soars alongside the guitars. Itโs a crowd-shaker packed with frustration and dark humour, wrapping heartbreak in anthemic defiance.
French Dogs doesnโt tidy anything up, and thatโs the point. Itโs messy, loud, and real, a debut that leaves you wanting more and ready to shout along when it comes.
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Review by: Naomi Joan

