D3LTAโs new single โKidsโ slips into the world like a warning shot, pairing alt-rock bite with a hard look at a generation forced to swallow more chaos than childhood ever promised. Released with the confidence of an artist stepping firmly into his next era, the Anglo-Greek musician frames the track as a challenge to the empty reassurance we repeat, that the kids will be โalright,โ even as the world proves otherwise.
Influences from Bowieโs chameleonic inventiveness to Sam Fenderโs social grit hover around the edges, but D3LTAโs frustration simmers alongside desensitization and the passive way tragedies in places like Gaza scroll across our feeds without altering our pace.
The production team of Jim Abbiss and Max Wolfgang helps sharpen the trackโs emotional cut, giving D3LTAโs voice room to hover, burn, and finally crack open. It starts almost disarmingly softly with subtle strumming guitars, a gentle hush in his lower register, and a sense that heโs holding something back. The restraint is intentional, with a stillness before impact. Then the drums roll in with a thump, not explosive but determined, pushing the song forward while D3LTA keeps his vocals cool and measured, as if refusing to let the noise dictate the emotion.
When he finally lets go, his voice climbs and unfurls into a rich vibrato that quivers with utmost profundity. That lift is the emotional hinge of the track. Itโs the moment where calm observation instigates. The riffs grow vivid and insistent around him, matching the urgency of what heโs saying without swallowing it whole.
โKidsโ plays like a modern lament, an alt-rock elegy for empathy, delivered with a theatrical edge and a humanistic emotional pulse. Itโs thoughtful, raw, and sensitive and it hints that D3LTAโs debut album may hit even harder.
STAY IN TOUCH:
FACEBOOK | INSTAGRAM | TWITTER | SPOTIFY | WEBSITE | YOUTUBE
Review by: Naomi Joan