
Detroit-born and California-based, Odelet is building a whole damn universe. Her latest album, Raindance, is a dreamy plunge into what she fittingly calls โSurrealist R&B.โ This thing doesnโt sit still in any one genre. It floats, glides, and sometimes slithers through hazy vocals, lush keys, and dub-influenced rhythms. And just when you think sheโs done, she drops a full remix companion album, Raindance In Dub, steeped in the warm, echo-laden grooves of 1970s-style dub. Two sides of the same storm.
The album kicks off with โKnow It All,โ a slow burn with splashing cymbals and thumping drums that hooks you early. Odeletโs voice is thick, slurred, and soaked in feeling, like sheโs singing from some misty memory sheโs only half willing to revisit. And then comes โRaindance,โ the emotional core of the album. Here, her voice dips into something deeper, more melancholic. Itโs like youโve stumbled into her inner monsoon, and sheโs just letting it pour.
But she doesnโt stay in the sadness. By the time โUp, Up and Awayโ rolls in at the eighth track, things have lightened. A gentle piano sets the tone while she lets loose her โAaaaโs like sheโs lying in the grass with nothing on her mind but the sky. She sings with a carefree tone, โYou know I am really living, I think that this is giving,โ urging us to free ourselves from this capitalist grind trap we call life.
Odeletโs been on a roll lately, and โRaindanceโ is just one piece of her ambitious 6-album release arc this year. Backed by her indie label/production house โEverlasting Tapeโ and mixed by Tape Opโs Larry Crane, the album feels lovingly crafted, never rushed. With music, visuals, and even a film-scoring art docuseries in the mix, Odeletโs flooding the scene with something truly her own โ and weโre lucky to be in the downpour.
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Review by: Naomi Joan