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Creativity Nativity Sceneโs Sometimes We Arrive At The Short Fall is a surreal, cinematic ride through the Wild West of soundscapes, drenched in raw emotion and shimmering with ethereal beauty. This EP shows how art can emerge from the most unexpected places. Crafted entirely on an iPhone by Adam Lloyd Davis while bedridden, the music is highly intimate and relatable like letters sent from another dimension.
It all begins with โThe Prophet,โ an uplifting yet haunting anthem that opens with angelic choral harmonies soaring over an atmospheric swell of strings. Just as youโre floating, the drums storm in, rolling like thunder on the horizon, grounding the song in an infectious, head-nodding groove. The bridge gets magical as strings swell, rhythms lock in, and suddenly youโre lost in the moment, eyes closed, body moving. Itโs exhilarating, hypnotic, and deeply cinematic, like the soundtrack to an epic revelation.
Then thereโs โRide by Nightfall,โ where the energy turns nocturnal and mysterious. Gritty drones hum underneath pounding drums, setting a restless, almost ominous tone. But just when you think itโs all dark and brooding, shimmering synths dance through like flickering neon lights in the desert. The angelic choir returns, wrapping everything in an almost spiritual warmth, while the beats grow fatter, heavier, more relentless.
And finally, the title track, โSometimes We Arrive At The Short Fall,โ is the EPโs emotional core. Fuzzy warmth drifts in like a memory, layered with soft, swelling melodies that feel like light breaking through storm clouds. The beats start delicately, then gather urgency, pulsing through swirling drones and mystical textures. It embodies hope despite struggle, soft yet powerful, melancholic yet uplifting.
Creativity Nativity Scene has crafted something special here, with this grand and intimate collection. Perhaps limitation does breed innovation, and that even from a hospital bed, music can create entire worlds. Check it out on Spotify.
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Review by: Naomi Joan