The Damage by E.W. Harris: Review

by Gabe Finch November 15, 2022

November 15, 2022

E.W. Harris is a songwriter, producer, and artist working in the alternative folk genre. He is based in Brooklyn, New York, and refers to himself as a “Folktronicist” and a “Dystopian Romantic,” who creates music that he describes as “folk tunes from a (im)possible future” by combining various sound arrangements, compelling vocals, and captivating harmonies. The artist’s track “The Damage” is a beautiful track that has some connection with medieval tunes of yesteryear. But, at the same time, the musician’s voice and the overall instrumental arrangement have a twist that makes the music of the past with the present.

The gentle nature of the acoustic parts in “The Damage” is sensational. E.W Harris manages to pull off a truly stellar vocal performance that is melodious and soothing at the same time. Within the distinct structure of the guitar notes, are detailed chords, and some harmonics, where higher notes are played on the fretboard by not actually touching the fret itself but positioning it in that manner. This matter is especially prominent at the end of the track. It has a very calming effect, and along with the reverb, the guitar playing sounds really cinematic.

“The Damage” has some creative transitions, that blend beautifully with the song’s alternative nature. The experimentation and creative process of creating such a track must have been enjoyable for the artist indeed. I believe I speak for the masses, when I say, that we are looking forward to more incredible pieces of art and music from E.W. Harris.