Versions by Klas Jonsson: EP Review

by admin May 13, 2026

May 13, 2026

Swedish indie-folk artist Klas Jonsson has always thrived in the space between sincerity and eccentricity, and Versions feels like the perfect showcase for that beautifully odd balancing act. Rather than simply revisiting older songs, this four-track EP reshapes them into entirely different emotional experiences, hopping from playful folk-pop to reflective chamber music and meditative choral arrangements without ever losing its sense of identity. Jonsson’s background in theatrical music clearly bleeds into every corner of the project. Nothing here sits still for too long, yet somehow the unpredictability becomes part of the charm.

The EP opens with “Summer Waltz – Spelmanslag version,” featuring Filip Runesson and Kajsa Larsén, and it instantly sweeps listeners into a warm whirl of movement. The steady shaking percussion and lively folk instrumentation create the sort of tune that practically begs for twirling around a wooden dance floor with a drink in hand. There’s tenderness tucked inside the joy, too, giving the song emotional weight beneath its buoyant rhythm.

Then comes “Sad & Ugly – Casiotone version,” which flips the mood entirely while keeping things irresistibly catchy. Sharp clinking beats bounce around alongside playful electronic textures and a soothing whistle melody. Jonsson sings gently in his rich, warm voice about rainy-day gloom and self-loathing, but the song never collapses into misery. Instead, the soulful backing vocals and quirky arrangement give the track a strange comforting glow, like smiling through melancholy because there’s not much else to do.

“Sleepless – Banjo version,” again featuring Filip Runesson, leans into breezy folk-pop territory with flowing banjo plucks and lighthearted grooves. Even while singing “Day or night, no sleep, thinking of you,” Jonsson sounds oddly carefree, as though insomnia has become another companion rather than an enemy. The arrival of horns and loose percussion in the bridge adds even more warmth to the song’s wandering charm.

Finally, “Ár var alda – Acapella version,” performed with the Icelandic Choir of Gothenburg, closes the EP in haunting fashion. Deep harmonies, meditative vocals, and swelling choir textures transform the track into something spiritual and cinematic. It’s a stunning ending to an EP that embraces beauty, whimsy, sadness, and experimentation all in one breath.