Zucker by HOLZKOPFKINDER: Album Review
Stony Sugarskull, a Berlin/LA-based musician, and German producer LeLeander have collaborated on their first album, โZuckerโ, a compilation of 10 songs that takes listeners on a fascinating voyage through a sonic environment that most people wouldnโt dare to explore. Featuring Monika Demmlerโs eerie and otherworldly vocals, the album is a wonderful combination of ghostly sounds and monochromatic rhythms, suggestive of Roni Size DJing in an underground Berlin S&M sex dungeon.
The album opens with โBentlejโ, a tune that quickly sets the tone for whatโs to follow. The rhythmic music is almost trance-like, while Demmlerโs vocals slash through it like a Bowie knife. โZeitโ follows, and itโs another great tune that highlights LeLeanderโs producing abilities. The mix of creepy noises and throbbing rhythms generates a sensation of discomfort that keeps the listener on edge. โThe Beat Gogoโ distinguishes itself owing to its more upbeat and danceable character. The song has an unmistakable funky groove, and itโs easy to imagine it being played in a dark club in the early hours of the morning. โWachsblumeโ is a notable piece that contains an eerie melody and Demmlerโs mysterious voice. โTelefon Skitโ contains a spoken-word interlude that adds another layer of complexity to the record. The spoken-word portion is strange and unnerving, contributing to the overall tone of the record. โFuture Babyโ is a notable song where distorted vocals meet erratic pulsing music. The album concludes with โHittensteinโ, a tune that is as eerie as it is lovely.
Overall, itโs safe to say that HOLZKOPFKINDER made an album that takes listeners on a voyage through dark and fascinating worlds.
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Photo credits: Franz Bauer
Review by: Paul Woodman