“Bejamalen,” produced by Afaq Art Production & Distribution, is an ambitious twelve-minute composition that pairs the poetic vision of Sheikh Abd Al-Ghani Al-Umari Al-Hasani with the commanding voice of Egyptian singer Ziad Kamal, all brought to life through Maestro George Kolta’s rich orchestral direction and the expressive musicianship of Syncop Orchestra.
Drawing from the centuries-old Sufi tradition while embracing a cinematic musical palette, the piece effortlessly bridges spiritual heritage and contemporary orchestral storytelling.
The journey begins with breathtaking patience. Thick orchestral strings rise gradually like the first light of dawn, accompanied by delicate flourishes and realistic birdsong that immediately create an immersive natural landscape. Before long, shimmering piano notes ripple through the arrangement, quietly gathering emotional momentum until traditional Arabic strings enter with graceful authority. Every instrument feels thoughtfully placed, allowing Eastern and Western orchestral traditions to coexist without competing for attention.
Then comes Ziad Kamal’s entrance, and the composition finds its emotional center. His deep, resonant voice quivers with remarkable control, carrying both vulnerability and conviction as he navigates the poem’s reflections on divine beauty, love, spiritual awakening, and reverence for the Prophet Muhammad. The arrangement deliberately creates spacious passages. As the performance unfolds, lively flutes and elegant orchestral flourishes gradually expand the sonic landscape, adding excitement without sacrificing the contemplative atmosphere established at the outset.
Ultimately, “Bejamalen” stands as a remarkable fusion of classical Arabic poetry, Sufi philosophy, and cinematic orchestration. Ziad Kamal delivers an emotionally captivating vocal performance, while Maestro George Kolta and Syncop Orchestra shape a lush musical canvas.
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Review by: Naomi Joan