Seattleโs own The Sleepy Haunts burst back onto the scene with BLOOM, which is the musical metamorphosis of your favorite worn-out diaryโraw, reflective, and packed with late-night overthinking set to killer melodies. Led by Gillian McMahonโs effortlessly expressive vocals, the band blends 2000s alt-rock angst with modern indie shimmer, channeling the likes of Alanis Morissette and The Cranberries while carving out their own space in the sonic landscape.
The album kicks off with โwhy do i feel this way?โโan earworm of a track that captures the sting of professional jealousy with an irresistible mix of shimmering guitars and McMahonโs smooth yet vulnerable delivery. You donโt want to feel like this, but man, you do, and the song lets you revel in it. The chorus is the catharsis you look for.
Then thereโs โtwenty,โ a certified anthem for every young adult fumbling through life. With a swaggering guitar intro that oozes attitude, McMahon leans into her deepest, most sultry range before unleashing a chorus that practically soars over the gritty instrumentals. โI canโt even find a job / Nothing that will pay enoughโ might just be the most painfully relatable lyric of the decade. Itโs going to get you scream-sing in your car at a red light, consequences be damned.
And letโs talk about โmedea.โ Opening with a twangy, almost mischievous riff, it turns to McMahon singing with this exasperated flair, like sheโs giving a modern-day Greek tragedy its own angst-ridden soundtrack. She sings, โMy horoscope said that I/Could lose good friends tonightโฆโ Sounds fair, to be honest.
Every track on BLOOM pulses with emotion, making you feel like youโre navigating adulthood right alongside the band. The Sleepy Haunts have bottled up your quarter-life crisis and are now handing it back to you wrapped in addictive hooks. Stay tuned for more such bangs in future.
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Review by: Naomi Joan