INDIE

London alt-rock/post-punk trio SickRichard kick the door down and demand answers from the void. Their new single “In The Dark,” released on 14 November, is a central pillar of the upcoming debut LP Must Be Something Missing. A gritty and gripping descent into addiction, self-loathing, and the hollowness that sticks…

Nashville indie outfit MIDTONES steps back into the spotlight with “The Shadow Moves,” a moody and reflective single released on October 31, 2025. Blending raw storytelling with shimmering alternative textures, the band, Daniel Brown (vocals/guitar), Quinten Schulze (drums), Scott Brown (lead guitar), and Tom Senter (synth/keys/bass), continues to evolve the…

Rotterdam’s Rejection Ratio arrives like a transmission from another time, yet one that still hits with startling immediacy. Their new single “Love is Like Heaven” isn’t new at all—not technically. It was born in the late ’80s/early ’90s, captured live and unvarnished on a DAT tape, then left to sleep…

Olivia Booth’s new single “I’m Not Yours,” released on 25 November to mark the UN’s International Day for the Elimination of Violence Against Women, is as fierce as it is vulnerable. It’s a defiant roar born from one of the darkest human experiences. Booth steps straight into the heart of…

Tom Minor unleashes his latest single, “Bring Back the Good Ol’ Boys,” out 24 October, with the sharp wit and theatrical bite that have become trademarks of his existential indie style. The London N1 singer-songwriter folds indie rock, new wave, punk, psychedelic flashes, soul, and R&B into a satirical anthem…

Elijah Bone’s latest single “Dancing on the Beach” arrives as a radiant new step in the UK duo’s long-running evolution. It’s a warm, sun-kissed slice of UK Alternative Americana that blends nostalgia with modern cinematic sheen. Andy Holt and Dave Barrett, who first found their footing under the name Reno…

Replaced By Robots step into the spotlight with “The Ocean,” an atmospheric alt-rock release that showcases the trio’s distinctive blend of vintage new-wave textures and modern cinematic emotion. Formed by Goolkasian of Boston’s cult-favorite The Elevator Drops, artist Heather Joy Morgan, and Adam Wade of Funeral Party, the band leans…

Pikangikum’s rising indie voice Chiimis returns with “Come to an End,” a gripping single released on November 1st, 2025, like it drifts in from the edge of a dream, carrying all the weight of someone trying to push through the impossible. Entirely self-made and recorded in the privacy of his…

Parisian indie artist Dimitri von Büren returns with “What I Feel,” a luminous ballad that leans into autumn’s reflective, romantic ache, steeped in the warm melancholy that defines his most intimate work. After the groove-leaning singles On Track and Midnight Pulse, this new release shifts toward something raw and unvarnished.…

It’s Called Blood, the new album by Seattle’s Jesse Damm under his project It Sound, arrives via Seahorse Recordings as a full-bodied plunge into psych-post-punk murk, messthetic grit, and hypnotic DIY atmosphere. Released digitally and on vinyl, the record draws on the raw lineage of London’s post-punk underground while carrying…