If TEMPLE. BEACH. DISCO. DADDY. was all sun-kissed shimmer, then LIQUID. LATEX. DISCO. DADDY. by The New Citizen Kane is what happens when the lights go down, the bass kicks in, and things get a little dangerous. This isnโt just a remix albumโitโs a full-blown reinvention, pulling Kaneโs sound into a darker, sweat-slicked underground where deep house grooves and 90s club energy collide. Longtime collaborator Red Man Runs helps steer the ship, and you can feel that history in how effortlessly everything clicksโtight, intuitive, and just a little bit wild.
Right from the jump, โWhatโs His Nameโ pulls you into the haze with shimmering synths draped over a thick, rubbery bassline. The vocal delivery is fast, confident, and just smug enough to keep things intriguingโitโs got that late-night, who-is-that-guy-across-the-room energy. Then โ(Trip) Unravellingโ takes things deeper, leaning into the emotional push-and-pull of nightlife, where losing yourself and finding yourself happen in the same breath.
As the album rolls on, the groove tightens its grip. โCausing A Commotion (Liquid Latex Version)โ is pure body language, with smooth beats, sensual vocals, and a hook that practically nudges your hips into motion. Lines like โyou got me walking on a tightropeโ land with that perfect mix of tension and flirtation. Meanwhile, โInvention (Liquid Latex Version)โ flips the mood, dialing things down into something softer and more introspective, with floaty textures and a low, gritty vocal that feels almost confessional.
And just when you think youโve got the vibe pinned down, Kane throws a curveball with โThere Goes The Neighbourhood,โ twisting the familiar into something darker and more psychedelic. Itโs bold, a little chaotic, but it works.
By the time you hit โForget The Trendโ and the later cuts, the album feels like a fully immersive night out. Itโs messy, magnetic, and impossible to leave early. All in all, LIQUID. LATEX. DISCO. DADDY. dares you to stay.
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Review by: Naomi Joan