![](https://illustratemagazine.com/wp-content/uploads/2023/05/Press_shot_Mishkin_monochrome_Photo_Credit_-_Scott_Chalmers.jpg)
Delve into the dark and mysterious with Birdeatsbaby’s haunting track, HEX. This post-metal masterpiece takes you on a rollercoaster ride of celestial enchantment and chilling nightmares, leaving you both captivated and unnerved. The music video is also not for the faint-hearted, so take caution.
Mishkin Fitzgerald is the woman behind the versatile vocals, with her effortless shifts from ethereal melodies to menacing growls. The choir-like vocals reverberate into the track which enhances its otherworldly atmosphere. Accompanying her is the polyrhythmic synth beguiling us into an eerie and mesmerizing sonic landscape.
Birdeatsbaby’s lineup is a force to be reckoned with. We have a cello played by Hana Piranha to dramatize the notion of ancient darkness with a moody orchestral vibe. Garry Mitchell’s gnarling guitar riffs are there to inject a dose of raw energy and rage into the moody mix.
With Anna Mylee’s drums, we get more vigor into the abysmal feat, resembling the technical prowess of Tool and Porcupine Tree. Combining these talented musicians, we have a dynamic and powerful sound that demands your attention. Behind the scenes, the production of HEX is in the hands of award-winning producer Evan Rodaniche. Without him, the masterpiece would be incomplete.
HEX is a masterpiece best absorbed with both your listening and sighting senses. With videographer/photographer Scott Chalmers, we get to see a visual narrative that confronts viewers with blood-curdling imagery, from pagan rituals to the heart of the astral abyss. The band performs on the devil’s altar to really create an eerie and immersive experience that perfectly complements the song’s intensity.
Stop wasting time with conventional music and listen to HEX by Birdeatsbaby now, to delve into the demonic dimension of music.
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![](https://illustratemagazine.com/wp-content/uploads/2023/05/HEX_single_cover_small-1024x1024.jpg)
Photo Credit: Scott Chalmers
Review By: Naomi Joan