Jack Flint, long admired for his work with Sea Gods, steps into solo territory with “Dirty Road,” released this November 7th, 2025. With bright, anthemic indie rock with his band, Flint pivots here into something moodier and far more personal. Rooted in his belief that beauty hides in decay and…

CMD.EXE’s debut full-length love.language.model is a digital requiem built for a future that already feels uncomfortably close. Released from Tucson on November 6, 2025, the album functions like a machine dreaming aloud. It imagines a self-aware system sifting through the remnants of humanity, through home movies, lost recordings, fractured memories,…

Matthew Lee and the Standbys step into the spotlight with Black Book, a debut album, like the carefully collected pages of a life examined, lived through, and rewritten. Out now on all streaming platforms, the ten-track record gathers songs Matthew Lee Patterson penned across the last decade, threading them into…

Shristy steps boldly into her Fractured era with “Waiting 4 U,” a cinematic pop anthem that fuses emotional vulnerability with a crackling 2000s pop-punk edge. Following her breakout EP Summer Solstice, this new single is edgier, louder, and shaped by the sting of a breakup that forced her to confront…

AMELINA rings in the season with “A New Year’s Wish,” a sparkling pop-rock anthem that folds teen-pop nostalgia, holiday shimmer, and a healthy shot of self-belief into a track built for anyone standing at the edge of a new beginning. Fresh off her growing momentum across pop platforms, she leans…

Anessa steps forward with “Es Asi,” a Latin-pop single shaped by tenderness, resilience, and an unflinching look at the realities so many families face. Rooted in Oxnard and molded by her own production instincts, she pulls from community, memory, and struggles to make a song intimate, relatable and inspiring because…

UK alt-folk trio Dryadic return with “Ghosts,” a hauntingly candid single released October 31st that digs deep into the ache of self-doubt, generational wounds, and the long climb back toward self-worth. Fronted by singer-songwriter Zora, the track is pivotal to the band as their first official release built around piano,…

Andy Sunshine’s new single “I Believe in Christmas,” released November 12, 2025, arrives as an unexpectedly bittersweet addition to the holiday canon. Written on New Year’s Eve 2022 during a season marked by heartbreak and emotional upheaval, the song channels the ache, nostalgia, and tentative hope that define the quieter…

Madrid’s long-running one-man experimental project The Kiss That Took A Trip, the visionary work of M.D. Trello, returns with “The Kiss That Took A Trip,” a sprawling almost 21-minute epic that pushes his ambient–post-rock–art-pop universe into a new, unrulier dimension. Trello has spent nearly two decades crafting music that refuses…

Stellan Wahlström Drift Band’s new release The Sleeper – A Live Collection stitches together decades of performances into one immersive document, offering a rare window into the band’s evolution from New York clubs to Stockholm’s literary salons. Rather than a typical live album, it feels like a curated time capsule…

Mick J. Clark has officially ushered in the festive season with the release of his holiday party anthem, “It’s Christmas Party Time,” a track revived from his 2010 Christmas EP—an EP that has already surpassed 300,000 streams and continues to gain seasonal traction each year. The song resurfaces just in…

It’s Called Blood, the new album by Seattle’s Jesse Damm under his project It Sound, arrives via Seahorse Recordings as a full-bodied plunge into psych-post-punk murk, messthetic grit, and hypnotic DIY atmosphere. Released digitally and on vinyl, the record draws on the raw lineage of London’s post-punk underground while carrying…