Holding Patterns by Burs: Album Review

by Damien Reid November 1, 2022

November 1, 2022

Holding Patterns by Burs: Album Review

The Burs, a Toronto psych-folk band, use music to convey their philosophy. The four members of the indie band are all dedicated musicians, and their ethereal, heartfelt anthems are the result of their collaborative artistic efforts. They just came out with an album called Holding Patterns, which is full of beautiful themes brought to life by magnificent music.

“The Year Now” opens with Peck’s notes over post-rock. Dillen’s complex emotions show on this track, proving her as a strong lead singer. She and Goudy duet beautifully on “Try,” candlelight-soft Midwestern-emo folk. “Lily’s” catchy, bouncing melody proceeds to the dreamy harmonies of “Fields” featuring country-jamboree violin and pleasant acoustics. By borrowing known forms and adding their own tale, Burs evoke a mystery. While Dillen establishes herself as a dominant vocal force on “Oliver” with Amy Peck’s saxophone, the album progresses to the folk-tinged “Nearly” offering deeply personal lyrics and the rumbling rock of “Hard Love,” both of which showcase different sides of the band’s style. “Hard Love” combines radio-friendly lyrics, chaotic post-punk outbursts, and an ambiance with reverbed and delayed eerie soundscapes.

There’s more to the meaning of each song on the album than meets the ear because it features excellent songwriting and an exciting soundscape. With their one-of-a-kind musical styles, Burs illuminate the seemingly unattainable and inconceivable, giving listeners something truly special to immerse themselves in.