Amsterdam-based artist Van Sur Les crafts music like memory, fragile, layered, and haunting, and “Soikkola” is a striking example of that vision in motion. Sitting at the crossroads of cinematic electronica and neo-classical minimalism, the track is a conventional song and more like a slow, unfolding narrative. Drawing from a…
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CLASSICAL/ JAZZ/ BLUESFeaturesReviews
Mélodie de la Déesse Vol. II by Haïfa Melliti: EP Review
by adminWith Mélodie de la Déesse Vol. II, Haïfa Melliti crafts something that feels less like an EP and more like a quiet ritual. Rooted in intuition rather than structure, the project unfolds as a deeply personal meditation on the sacred feminine, where piano becomes language, emotion becomes movement, and silence…
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CLASSICAL/ JAZZ/ BLUESFeaturesReviews
L’inclinazione verso di te (Tilting Towards You) by Antonio Celotto: Review
by adminAntonio Celotto’s “L’inclinazione verso di te (Tilting Towards You)” arrives as an arresting glimpse into his upcoming The North Node (Studies). The Oxford-based composer, known for weaving narrative into sound, draws from intimacy here, bringing old field recordings from Morocco with an intimate piano performance to create a piece that…
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Founded by pianist, composer, and producer Johnny Bosbyshell (formerly of Eminence Ensemble and Spirit Bear), Space Cartel began as a jazz-fusion project formed with longtime collaborators in Colorado: guitarist Ted Kleist, saxophonist Joe Lilly, and drummer Matt McElwain. After years of dormancy while members toured nationally with other acts, the project…
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CLASSICAL/ JAZZ/ BLUESFeaturesReviews
Unholy Spirits Light Divine by Anatomy of the Heads: Album Review
by adminSome albums invite you in. Others drag you down a spiral staircase and bolt the door behind you—and Unholy Spirits Light Divine by Anatomy of the Heads does exactly that. The ever-unpredictable project, helmed by the theatrically unhinged Michael van Gore, leans hard into a stripped-back, dungeon-synth aesthetic this time…
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SYLIANRUE, the solo project of Yuichi Nishikawa, presents “Reflection”, a deeply introspective work shaped by both artistic evolution and personal experience. Formerly the vocalist of an industrial rock band, Nishikawa redirected his creative path toward composition after developing a vocal disorder, building an extensive body of work across stage and…
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Haifa Melliti presents a serene and introspective body of work with “Mélodie de la Déesse” a collection of solo piano pieces that centers on calm, reflection, and emotional connection. The French-Tunisian multidisciplinary artist, known for both her music and painting, shapes this album as an extension of her exploration into…
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CLASSICAL/ JAZZ/ BLUESFeaturesReviews
RUST MOUNTAIN (MONOCHROME PIANO VERSION) BY APTØSRS: REVIEW
by adminAPTØSRS reimagines one of its defining compositions with “Rust Mountain (Monochrome Piano Version),” a release that signals both reinvention and restraint. Led by Paul Terry, the project has long been associated with expansive, cinematic arrangements, making this stripped-back reinterpretation a notable shift in approach while still aligning with the project’s…
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Canja makes a striking first impression with “Floor,” a debut that feels both deeply personal and sonically distinctive. Built entirely on acoustic percussion, the track immediately stands out for its raw, organic texture, transforming rhythm into narrative in a way that feels immersive rather than ornamental. There’s a clear sense…
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Cyberville Bandit, aka Wally Flint, doesn’t exactly follow the usual playbook, and you get that through “Rock Jazz Manifesto.” A solo artist with roots stretching back to the jazz-fusion boom of the ’70s, Flint finally lets decades of ideas spill into one genre-blurring track, born in long-haul truck routes across…