New York City-based power trio Heavy riffs and otherworldly soundscapes that defy time and tempo are nothing new to Grandpa Jack. Grandpa Jackβs self-titled debut record is a heavy-handed take on psychedelic rock that explores the deeper parts of the soul. It features primal grooves, fuzzed-out guitars, and a thundering low end.
Grandpa Jack is Jonathan Strom β Vocals / Guitar Matt C. White, vocals and drums Bassist Jared Schapker
The first single from Brooklynβs Grandpa Jackβs new album Grits is titled βOnce Bitten.β βOnce Bitten,β which has upbeat vocals and a powerful drum beat, is about realizing when someone in your life has bad intentions. The album was created over the course of a week at Saugerties, New Yorkβs Sonder House recording studio. It contains many of the same heavy riffs, fuzzed-out tones, and melancholy lyrics that the bandβs followers have come to love since the groupβs inception in 2016.
On June 23, the group will release the lead single from the album, βOnce Bitten.β βOnce Bitten,β a song with upbeat vocals and a powerful drum beat, is about knowing when someone in your life has bad intentions. Check out the lead single βOnce Bittenβ and the exclusive interview below:
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1. Can you tell us a bit about where you come from and how you got started?
GRANDPA JACK: We all first met in our practice space when we were playing in different bands. Matt was playing guitar in a different band (Dead Seconds) and Johnny and Jared were in a band called Captain Wizard. After Captain Wizardβs drummer left, we needed a drummer, so Matt offered to give it a shot. Thatβs pretty much how Grandpa Jack got its start.
2. Did you have any formal training or are you self-taught?
GRANDPA JACK: We are all self-taught. Weβve kind of just been winging it our whole lives.
3. Who were your first and strongest musical influences and why the name βGRANDPA JACKβ?
GRANDPA JACK: We all have a pretty eclectic mix of influences. We all share a love of classic rock and funk. Mattβs really into 90βs alt stuff, Jared loves funkadelic, and Johnny is a Zappa head. Somehow, where all our musical interests intersect is the Grandpa Jack sound.
In terms of the βGrandpa Jackβ name, we wanted a name that would be different in our music scene. A lot of βstonerβ band names feel a little cliche (bong, lord, weed, dope, wizard, etc.)Β and we wanted something to stand out.
4. What do you feel are the key elements in your music that should resonate with listeners, and how would you personally describe your sound?
GRANDPA JACK: We hope that the vocals and musical dynamics resonate with listeners. Our sound is a familiar, fuzzy tone with ominous vocals and weird time changes and time signatures. We think of ourselves as heavy psychedelic rock.
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GRANDPA JACK:
We never really sought out to achieve a specific sound when we first started playing together. I think there was an unspoken shared desire to play heavy music, but it wasnβt really discussed. I think we all appreciate intense sounds and vibes, so it carries through to the music we write. We definitely all like hard rock and metal. Jared (bass) also hadnβt been playing bass very long before he joined Grandpa Jack either, so our rhythm section really developed as musicians together βΒ which I think is really unique.
6. Whatβs your view on the role and function of music as political, cultural, spiritual, and/or social vehicles β and do you try and affront any of these themes in your work, or are you purely interested in music as an expression of technical artistry, personal narrative and entertainment?
GRANDPA JACK:
Music is god. We used to joke that we arenβt going to band practice, we are going to church. We donβt really have any political aspirations with our music and Iβm not sure we would change anyoneβs minds on the current state of affairs anyway, but there definitely is some social commentary in there. Everyone in the band just mostly needs musical expression to feel fulfilled.
7. Do you feel that your music is giving you back just as much fulfillment as the amount of work you are putting into it, or are you expecting something more, or different in the future?
GRANDPA JACK:
I think we all want the same thing out of Grandpa Jack. The hope is that we can have our art fund itself. Like the act of creation gives us the ability to pay for that creation (studio time, mixing costs etc).
8. Could you describe your creative processes? How do you usually start, and go about shaping ideas into a completed song? Do you usually start with a tune, a beat, or a narrative in your head? And do you collaborate with others in this process?
GRANDPA JACK:
Almost all of our songs start as just jamming on ideas during practice. We then build from there. Like, one part feels like a verse, another a chorus. We sort of just talk this stuff out until we have the full musical piece and then we collaborate on vocals and lyrics. This new record βGritsβ was entirely collaborative as far as lyrics go, which had its challenges, but we love the results.
9. What has been the most difficult thing youβve had to endure in your life or music career so far?
GRANDPA JACK:
Iβm not sure that thereβs any one event. Lots of ups and downs with shows, etc., but I think the toughest part is probably that the three of us are gear nerds. Who knows how many countless thousands have been spent in search of the perfect fuzz tone, cymbal sound, or effect pedal.
10. On the contrary, what would you consider a successful, proud or significant point in your life or music career so far? GRANDPA JACK: I think the record release show for βGritsβ might be one of the coolest moments. Just to play a show with some of our best band friends (Certain Death and Smock) was awesome in itself, but also represented the culmination of over a yearβs worth of writing and recording. We are all very proud of how weird and unique βGritsβ is and it was really cool to be able to debut it live.
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Photo credits: Danielle Otrakji